THREATENED: Avalon Regal Theater is Stable, but Needs Significant Funding Support To Continue Restoration Efforts

Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers
Avalon Regal Theater Lobby, 1927, John Eberson, 1641 East 79th Street. Photo Credit: Eric Allix Rogers

“When Jerald Gary unlocks the doors of the theater now called the Avalon Regal, he enters a wonderland, almost a museum, from another age in culture and escapism. But he carries with him heavy burdens from today.

“The theater near 79th Street and Stony Island Avenue is a Chicago landmark, eminently deserving the honor. It’s an exotic stew of styles — Arabian Nights meets King Arthur — and is largely preserved despite many years of disuse and neglect. Much of that is to Gary’s credit.

“Since taking over the property in 2014 in a still-evolving private venture, Gary has secured the place and overseen the start of plumbing work. There is vast restoration left, but it starts with a fabulous canvas and a place in the heart of African Americans who remember it as an elegant showcase for performances by Duke Ellington, Dizzy Gillespie and many others, some depicted on an outdoor mural along one wall that dates from the 1980s. For most of its life, the theater was the Avalon. A revival made it the New Regal in 1987 as a homage to a lost venue serving the Black community. Gary’s new name blends the eras.

“‘Look how ridiculous that ceiling is,’ Gary said, pointing above the lobby to a design like a Persian rug that includes glass fixtures so fine they hang like threads. In the auditorium, the walls suggest patrons are seated in a palace courtyard beneath a starry sky. Signs for long-ago patrons are in English but with Arabic styling. ‘Be seated, I beg you,’ says one.

“Everywhere, there is a need for new paint and plaster that requires not just labor but craftsmanship. Gary is planning on improvements to the heating and air conditioning and he’d like solar panels on the roof, figuring he can take one of South Shore’s largest and tallest buildings off the grid.

“Gary said it’ll take maybe $10 million to get the place ready for a close-up. Thirty-six years old and with a background in finance and music, Gary doesn’t have that kind of scratch. He’s got connections, having previously worked at LaSalle Bank and served as an intern for Barack Obama when he was a U.S. senator. There, he got to know Ken Williams-Bennett, better known today as the dad of Chance the Rapper. There’s also the matter of Kanye West, who now wants to be called Ye. West surfaced in 2018 with a $1 million pledge for Gary’s vision. That pledge is a work in progress. Gary declined to discuss it but said he hopes to provide an update soon.

“Gary gets the skepticism but chalks up some of it to pushback whenever a disadvantaged community seeks self-sufficiency. He tries to focus on the possibilities. “We’re three minutes from the Obama [Center]. … It just takes time. This is going to be the new Harlem, the new Brooklyn. I’m just hopeful that we can hold on.”

Read the full story at Chicago Sun-Times

Driven by dreams but strapped for cash, owner strives to restore Avalon Regal Theater; Jerald Gary has been the landmark building’s steward, but he needs reinforcements to bring the onetime center for African American performers back to glory, David Roeder, Chicago Sun-Times, 9/20/21

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