WIN: Pittsfield Building Renovation Gaining Traction Thanks to Developer’s Viral TikTok Videos

Pittsfield Developer Tom Liravongsa’s TikTok: “POV: You bought a 100-year-old skyscraper . . . ” Image credit: Tom Liravongsa @theskyscraperguy
Pittsfield Building, 1927, Graham, Anderson, Probst and White, 55 E. Washington Street. Designated a Chicago Landmark in 2002. Photo Credit: Skyscrper Media
Pittsfield Building, 1927, Graham, Anderson, Probst and White, 55 E. Washington Street. Designated a Chicago Landmark in 2002. Photo Credit: Adam Natenshon / Preservation Chicago

“Millions of people online have taken interest in the Pittsfield Building — a historic skyscraper in the Loop that’s long been neglected, with a portion of the interior in disrepair. But the property is poised for a major renovation, and one developer hs taken to TikTok to document its transformation.

“Tom Liravongsa — or as social media knows him, Tom the Skyscraper Guy — is determined to turn the building’s dilapidated floors into sleek apartments, while keeping its classic Gothic and art deco architecture intact.

“One video that netted 8 million views on TikTok showed Liravongsa, 42, using the building’s old-school mail chute to explain why the 142-year-old invention was later banned. The answer? Fire safety.

“‘Random things in my 100-year-old skyscraper that just make sense,’ he said in the video, while carrying what looks like a large gold Gothic-style lamp. He then shows off features of the building like ‘a hidden room that isn’t on the original blueprints” and ‘a speakeasy from Chicago prohibition days.’

“The Pittsfield Building was Chicago’s tallest building when it was completed in 1927, according to a 2001 report recommending landmark designation by the Department of Planning and Development. It looked the part as a classic 1920s skyscraper with its ‘luxurious building materials, finely detailed Art Deco and Gothic Revival ornamentation,’ according to the report.

“Gray terra cotta, polished black granite and bronze detailing take center stage with the building’s exterior. Inside is a five-story atrium with a giant chandelier, hand-carved copper ceilings with Spanish Gothic Revival-style detailing and brass-plated elevator doors.

“He expects to start construction in the next year, and is still seeking investors for the project that he said could reach ‘into the hundreds of millions’ because of the restoration work.

“He said the city has been helpful in expediting the process, especially to address the deteriorating terra cotta that has been crumbling for years. Scaffolding was installed in 2020 to protect pedestrians from falling debris.

“The city knows quite a bit about the building, and they know it’s in disrepair. And we’ve been actively trying to get it fixed and go through [building code] violations. … They’re being very helpful because they know that this building’s been sitting here forever, and they need to do something,’ he said.

“‘What’s really important is getting the building to a term that I learned recently — a living landmark. Oftentimes people think [it] is just a site you go [to] and nothing’s happening, but ultimately, it should be something that is experienced and people are able to explore it and that makes it a living landmark,’ he said. (Rush, Chicago Sun-Times, 5/30/25)

Read the full story at Chicago Sun-Times

 

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