WIN: Auditorium Theater Begins Main Auditorium Restoration Campaign

Restoration Strategy Meeting in October 2025, the Auditorium Theatre, 1889, Dankmar Adler and Louis Sullivan, 50 East Ida B. Wells Drive, Chicago. A Designated Chicago Landmark since 1976. Photo credit: Ward Miller / Preservation Chicago
Restoration Strategy Meeting in October 2025, the Auditorium Theatre, 1889, Dankmar Adler and Louis Sullivan, 50 East Ida B. Wells Drive, Chicago. A Designated Chicago Landmark since 1976. Photo credit: Ward Miller / Preservation Chicago
Restoration at The Auditorium Photo credit: Ward Miller / Preservation Chicago

“The skylight and atrium at Chicago’s historic Auditorium Theatre will undergo a significant restoration project that aims to return key design elements to how architects Louis Sullivan and Dankmar Adler intended.

“Leaders at the 135-year-old landmark theater located at 50 E. Ida B. Wells say they plan to update the building’s iconic 108-panel stained-glass skylight and the surrounding atrium, located directly above the main balcony.

“‘We know we’ve got our work cut out for us,’ said architect Matt McNicholas, who is also an Auditorium board member. ‘We’re very excited about the way this is going to shock people, because it hasn’t been seen in anyone’s lifetime.’

“The restoration, intended to wrap by fall 2027, will total nearly $3 million and be funded by donations from local organizations and a prestigious $625,000 federal grant from the National Park Service, known as the Saving America’s Treasures grant.

“The renovation project will allow for sunlight to shine through the stained-glass panels for the first time in the building’s history, according to McNicholas.

“The panels, designed by stained glass artists George Healy and Louis Millet in 1889, were crafted from jewels and feature organic shapes inspired by nature, intertwined with elaborate knot patterns. They became popular thanks to Sullivan’s signature neo-Celtic style that defined much of the Chicago architecture of that era.

“Healy and Millet’s panels were so impressive the pair exhibited them at the Paris World’s Fair of 1889 to showcase Chicago’s architectural innovation, and their work forever changed how the rest of the world sees stained glass.

“According to McNicholas, crews will also work to restore the signature Celtic stenciling found on the atrium’s walls, designed by Sullivan. His stencils decorate the walls and floors of the entire building, but for decades, eight layers of paint have covered the ones hidden along the atrium walls. Those originals likely have not been seen since the 1920s, McNicholas said. (Colón, Chicago Sun-Times, 11/10/25)

Read the full story at Chicago Sun-Times

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