THREATENED: The Griffin Museum of Science and Industry North Entry Pavilion Would Dramatically Alter Appearance of Charles B. Atwood’s 1893 Landmark

Rendering of the proposed Welcome Hall on the museum’s north lawn, 458 feet long and nearly 30 feet tall. Image credit: Alden Studios for RAMSA
Chicago Park District said Griffin MSI’s planned Welcome Hall is too big before supporting project anyway, Lee Bey, Chicago Sun-Times, 10/13/26. Image credit: Chicago Sun-Times
Chicago Landmark Designation Report. Museum of Science and Industry, 1891-93, Charles B. Atwood, 57th Street and Lake Shore Drive, Chicago, IL. Designated a Chicago Landmark: November 1, 1995. Photo credit: Commission on Chicago Landmarks / www.ChicagoLandmarkReports.org

“The museum this month released plans to construct a limestone and glass ‘Welcome Hall’ on the building’s front lawn, right smack in front of that grand entrance. And it’s not a small addition either.

“The new hall would be almost 30-feet tall and a whopping 458-feet — nearly three-quarters of a city block — in length: A big old wide-brimmed hat blocking the screen at the movie theater.

“But in doing so, the museum and its design firm RAMSA are expressing these noble goals with an ungainly and unattractive entry pavilion that visually overpowers the building’s historic north entrance and it’s beautiful, open front lawn.

“The building threatens to foul-up one of the city’s great urban vistas — a remarkable blend of architecture, land, sky and history. One that looks just fine the way it is. The whole thing should be sent back to the drawing board.

“The glass-faced Welcome Hall would link to the museum via a 124-foot glass connection that burrows straight through the center of the building’s exterior stairs. Visitors could still enter the museum through what remains of the stairs, but it’s a little tough to see that historic rise of limestone just being gouged through like that.

“The Permit Review Committee of the Commission on Chicago Landmarks approved the museum’s plan on Sept. 10, agreeing with the assessment by the Department of Planning and Development’s Historic Preservation Division that the Welcome Hall ‘will not have an adverse effect on the significant historical and architectural features of the landmark property.’

“I couldn’t disagree more. The Welcome Hall is too tall and much too wide. It promises to sit there like a carbuncle in the park. And its arched grass roof makes the structure resemble a displaced section of Teletubbyland.

“There’s enough time, talent and cash on the table to develop something far better, given the design power of RAMSA — the late Robert A.M. Stern’s successor firm — and whatever portion is left of hedge fund billionaire Ken Griffin’s $124 million 2019 donation to the museum that’s still burning a hole in its pockets.

“The museum and city landmarks officials must rethink this thing and come up with an approach that properly honors this world-famous building and its important site.” (Bey, Chicago Sun-Times, 9/21/26)

“From the 50-plus years I’ve been involved in historic preservation work in the public and private sectors, I can state without reservation that the proposed work to the museum’s campus is the most seriously damaging I have ever witnessed. The only exception of something worse was when entire historic buildings were approved for demolition.

“With the approved alterations to the Griffin Museum of Science and Industry, the building will essentially remain standing. But the changes will destroy the essence of what makes the building rare and special. It’s all about an elusive quality known as perfection.

“When originally constructed as the Palace of Fine Arts for Chicago’s 1893 World’s Fair, the building was repeatedly singled out for being as near to perfection as could be humanly achievable in its architectural composition and the relationship to its site. Creating quality classical design is one of the most challenging in architecture. It’s all about a perfect relationship of proportions, details and site. All parts must harmoniously relate to the whole.

“At the time of the 1893 World’s Fair, the respected sculptor Augustus Saint-Gaudens said of the building: ‘I am just bowled over; there is no breath in me. As for that art gallery, it is the greatest thing since Athens.’

“Prior to construction, New York architect Charles F. McKim — a stickler for classical accuracy — looked over designer Charles B. Atwood’s plans for errors. He ultimately exclaimed, ‘Confound him, he is right every time,’ and later praised the building as ‘the greatest thing that has been done in the present century in any country.’

“Even with contemporary needs for better public accessibility and removal of an obtrusive grade-level parking lot, new facilities were creatively placed underground in the 1990s, providing an accessible museum entry from small free-standing pavilions respectfully held away from the main building. The former parking lot on the north side became a grassy park that showcased the building’s ‘perfect’ classical proportions for passing motorists and museum patrons alike.

“The signature classical wide exterior staircases on both sides are to be punctured, creating a gap-toothed large hole at the center that will diminish the power of the remaining original elements. The boldly columned porticos that provide a transitional sense of entry are to be glassed in. No matter how transparent, the original effect is lost.

“And lost forever will be the majestic views of the building melding into the historic landscape of Jackson Park, a landmark itself shaped in design by the great Frederick Law Olmsted. No longer will the front steps of the south side dreamily extend into the adjoining lagoon. And with new construction of entryways and berms on the building’s north side, the majestic classical gift of the building rising from the ground atop a sturdy base will be lost.

“I’m at a total loss to explain how these damaging alterations could be allowed — or even proposed in the first place. Have people forgotten that a masterpiece of classical architecture is dependent on all parts relating to the whole? Is there no longer respect for established guidelines at federal and local level for historically, culturally and architecturally significant structures?

“In the past, the Griffin Museum of Science and Industry consistently displayed great inventiveness and ingenuity for adapting its historic campus to meet changing needs without compromising the near perfection of its building. It has obviously lost its touch with the current alterations.” (Samuelson, Chicago Tribune, 10/11/26)

Preservation Chicago opposes the North Portico project. The Museum of Science and Industry was designated a Chicago Landmark on November 1, 1995, and the designation protects all exterior elevations.

We have met with decision makers to encourage them to pursue alternatives to this North Portico proposal. There is still time to course correct and improve the design to minimize its visual impact.

Despite the significance of this building and impact of this proposal, no public meetings were held prior to the Permit Review Committee of the Commission on Chicago Landmarks approval. The Chicago Park District has not issued final permit approvals for the North Portico. Preservation Chicago encourages the Chicago Park District to withhold approval.

Preservation Chicago supports the goal of a more accessible and welcoming museum, and we encourage the Griffin Museum of Science and Industry and RAMSA to return to the drawing board and develop an approach that achieves it without so dramatically impacting the historic building.

Read the full story at the Chicago Sun-Times and the Chicago Tribune